Inspiration and the Art of Making
I discovered immense joy in the act of making jewelry — in spending long hours at the bench, driven by an insatiable desire to learn, refine techniques, and solve every design challenge through skill and experimentation. I became completely absorbed in the process: training my hands, mastering tools, and exploring the possibilities of form.
Working in small scale captivated me. I imagined the construction of objects as if sculpting in miniature — I have always thought more as a sculptor than as a designer. My inspirations came from British sculptors such as Richard Deacon and Anish Kapoor, the industrial elegance of Bauhaus design, product designers like Robert Welch and Hans Wegner, and the poetic sensibility of artists such as Cornelia Parker, Gerhard Richter, and Doris Salcedo.
Studying at the Goldsmithing, Silversmithing, Metalwork and Jewellery Department at the Royal College of Art (RCA) immersed me in the evolving European jewelry scene of the early 2000s. There, I witnessed the rise of CAD-CAM technology and the fusion between traditional craftsmanship and digital innovation. Surrounded by silversmiths and jewelers, I learned to elevate my ideas into refined pieces that met the highest standards of artistic and technical excellence.